Warren Neidich

Expositions personnelles (sélection) / Selected One Person Exhibitions

2002
"Warren Neidich: The mutated Observer, part 1 and part 2" California Museum of
Photography Riverside, California.
"Remapping" galerieEdward Mitterrand Geneva, Switzerland.
"Some stories concerning the relations of a mutated observer"MullerDe Chiara Berlin, Germany.

2001
"Beyond the Vanishing Point Los Angeles" Gandy Gallery Prague, Czech Republic.
"The Camp O.J. Installation" Laguna Art Museum Laguna Beach, California.

2000
"Beyond the Vanishing Point; Media and Myth in America" Bayle Art Museum University
of Virginia, Charlottesville, Virginia.

1997
"Re-Cognition" Steffany Martz Gallery New York, New York.

1994
"Cultural Residue" Villa Arson Nice, France.
"Collective Memory / Collective Amnesia" Impressions Gallery - York,England

1993
"Together We Stand / Divided We Fall" Kunstlerhaus Bethanian Berlin, Germany.

1991
"The Battle Of Chicamauga" Photographic Resource Center Boston, Massachusetts.
"American History Reinvented" Perspectif Space Rotterdam, Holland.
"Historical Interventions",List Center of Art M.I.T., Cambridge, Massachusetts.

1989
"American History Reinvented" Aperture Foundation New York, New York.

Expositions de groupe (sélection) / Selected Group Exhibitions

2002
Project Room, "Conversation Maps", Laurie DeChiara Gallery, NewYork, New York.
"In Media Res", Curated by Michel Thurz and Anne Ellegood, Exit Art, New York, New York.
"No Accident: Contemporary Artists Explore 19th century photo processes"curated by Lisa J. Young, Nassau Community College Art
Gallery, Hemptsead, New York.
Brewster Project, "Histrionics" curated by William Stover, Brewster, New York.

2001
"Bitstreams" curated by Larry Rinder, Whitney Museum of American Art New York, New
York.
"Optical Verve" curated by Sylvie Fortin, Ottawa Art Gallery Ottawa,Ontario.
"After the Diagram" curated by Laurie Firstenberg and Douglas Cooper, White Box New York, New York.
"The Reality Effect; Contemporary American Photography" curated by Simon Taylor, Guild Hall East Hampton, New York.
"The Fact Show" curated by Vickie Clark, Pittsburgh Center for Contemporary Art Pittsburgh, Pennsylvania.
"Urban Pornography" curated by Lauri Firstenberg, Artists Space New York, New York.
"Video Windows" curated by Lauri Firstenberg, Stux Gallery-New York, NewYork.
"Bridge the Gap" curated by Hans Ulrich Obrist,, Tokyo, Japan.

2000
"Transparent Architecture" curated by Anne Ellegood, Gail Gates New York, New York.
"Chronos" curated by Regine Basha, Palazzo Tupputi Bisceglie, Italy.
"Alternative-Alternative" curated by William Stover, Roebling Hall Brooklyn, New York.

1998
"Speed" curated by Bo Modestrand and Hakkan Nilsson, Art Node Stockholm, Sweden, continued to: Bohulans Museum Uddevalla, Sweden;
Galerie Box Gothenburg, Sweden; Uppsala Konstmuseum Uppsala, Sweden;
Bildmusset Umea, Sweden.

1997
"Notions of the Nineteenth Century"curated by Meg Linton and Tyler Stallings, Huntington
Beach Art Center Huntington Beach, California.
"Making It Real" curated by Vik Muniz, Aldrich Museum of Art Ridgefield, Connecticut, continued to: Reykjavik Municipal Art Museum Reykjavik, Iceland; Bayle Art Museum University of Virginia, Charlottesville,Virginia; Portland Museum of Art Portland, Maine; Bakalar Gallery Massachusetts College of Art, Boston, Massachusetts; Emerson Gallery
Hamilton College, Clinton, New York.
"America"curated by Omar Lopez-Chahoud, Hope 57, Brooklyn, New York.

1996
"Follow the Yellow Brick Road" curated by Martin Kunst, New York Kunsthalle, New
York, New York.
"Ports of Entry: William Burroughs" curated by Robert Sobieszek, Los Angeles County Museum of Art Los Angeles, California, continued to: Spencer Museum of Art Kansas City, Missouri.

1995
"Mapping a Response to MOMA", curated by Peter Fend, American Fine Arts, New
York,,New York.
"Photography After Photography" curated by Hubertus von Amelunxen, Stefan Iglhaut and Florian Rotzer, Aktionsforum Praterinsel Munich, Germany, continued to: Kunsthalle Krems Krems, Austria; Stadtische Galerie Erlagen Erlagen, Germany; Brandenburgische Kunstammlungen Cottbus, Germany; Musset for Fotokunst Odense, Denmark; Fotomuseum Winterthur Winterthur, Switzerland; The Finnish Museum of Photography
Helsinki, Finland; Institute of Contemporary Art Philadelphia, Pennsylvania.

1993
"Fever" curated by Jeanette Ingberman and Papo Colo, Exit Art New York, New York.
"Fontanelle"curated by Christoph Tannert, Stiftung Starke-Berlin, Germany.

1992
"Salvage Utopia" curated by Paul Bloodgood and Elissa Friedman, AC Project Room New
York, New York.
"Relative Truths" curated by Tracey Bashkoff, Guild Hall East Hampton, NewYork.
"Summer Show" curated by Max Lang, Blum Helman Warehouse New York, NewYork.
"Exhibition of the Atlanta Richfield Collection" curated by Herman Mhire, Southwest Louisiana Art Museum Lafayette, Louisiana.

1991
"New York Stories" curated by Richard Waskow, Institute of Contemporary Art - P.S. 1
Long Island City, New York.
"Chimique Versus Numerique" curated by Allain D'hooge, Palais de Tokyo Paris, France.

1989
"Rethinking American Myths" curated by Mathew Postal, Larry Miller Gallery New York,
New York, continued to: University of Connecticut Art Gallery Stoors, Stoors, Connecticut; Bard College Art Museum Tillery, New York.
"Photography of Invention" curated by Joshua Smith, National Museum of American Art Washington DC, continued to: The Museum of Contemporary Art Chicago, Illinois; Walker Museum Of Art Minneapolis, Minnesota.

1988
"Vom Landschaftsbild zur Spurensicherung" curated by Rheinhold Misselbeck, Museum
Ludwig Cologne, Germany.
"Television and Art" curated by Mark Miller, Queens Museum Queens, New York.
"The Nature of the Real" curated by Renee Ricardo and Paul Laster, White Columns New York, New York.
"The Nature of the Grotesque" curated by Allen Ludwig, The Alternative Museum New York, New York.

BIBLIOGRAPHIE (sélection) /Selected Bibliography

2002
"Warren Neidich at the Laguna Art Museum", Sarah Valdez, Art in America- February, 2002.
"News and Around" , MullerdeChiara, Tem Celeste, #90 March/April, 2002.
"Poelzig und die Kunstvitrine", Ingebourg Ruthe, Berliner Zeitung,February,2002
"Augen auf und durch", Petra Welzel, die tageszeitung February 26,2002.

2001
"Art in the Digital Age" Larry Rinder, Whitney Museum of Art March,2001.
"The Natural and the Unnatural" Vivian Letran, Los Angeles Times July 27, 2001.
"Bitstreams" Denise Carvalo, Flash Art MayJune 2001.
"FIAC", Jeanette Zwingenberger, Art das Kunstmagazin, December, 2001.
"Optical Verve Shows New Moves in Art" Melanie Scott, The Ottawa Citizen Tuesday, February 27, 2001.
"Neurobiologie, Kultura a Historie" Jednou Vetou, Atelier July 2001.
"Eye-Minded, The Baroque Vision of Artist Warren Neidich" Marisa Ravalli, The Prague Post March 713, 2001.
"Das Kunsthirn Kluge Kopfe, schone Bilder: "Artbrain" kennt den Zusammenhang" Alexander Metreaux, Suddeutsche Zeitung Nr. 158, Seite 15, Juli 2001.
"Hotlist, Artbrain, www.artbrain.ort" Christiane Paul, Artforum, October,2001.
"Fiac, la video au premier plan" Henri-Francois Debailleux, Liberation October, 2001.
"Les galleries à voir absolument" Florent Albrect, Beaux Art, Octobre, 2001.
"Remapping: by Warren Neidich" Diane Lewis, Mueller-DeChiara, October, 2001.
"A Fictional Encounter With Facts, Turning Things Upside Down" Vickey Clark,
Catalogue for the Fact Show, at Pittsburgh Center for Contemporary Art, September,2001.
"The Reality Effect: Contemporary American Photography" Simon Taylor, Guild Hall 2001.
"Warren Neidich: Deconstructing the Infotainment Machine" interview by Robert Atkins, www.mediachannel.org February 2001.
"This is a Recording" text by Douglas Cooper, photographs by Warren Neidich, T(here) Issue No. 4.
"Just the Facts", Alice Winn, Pittsburgh City Paper, January,2001
"The Fact Show : Conceptual Art Today", Kurt Shaw, Pittsburgh Tribune Review, Sunday September 30,2001.

2000
"W.N. T.V." Phoebe Hoban, Smock Magazine November 2000.
"The Information Bomb by Paul Virilio" reviewed by Ed Baxter, photography by Warren Neidich, DPICT August/September 2000.
"Art After Appropriation: Essays on Art in the 1990's" John Welchman, Gordon and Breach 2000.
"Camp O.J." photographs of Warren Neidich, Charles Steinback and David Hunt,
Bayle Art Museum 2000

1999
"Millennium at Tate" Robert Mahoney, Time Out, Review Section, No.201, p. 52, July 11
July 17, 1999.
"Summer 1999 at Tate" Norman Bryson, essay for exhibition at Tate Gallery, New York City, July, 1999, pp. 4 and 5.
"Performing Observations; Recent Work by Warren Neidich" Regine Basha, Spring, 1999.
"Seeing Eye, Conceptual Art as a Neurobiological Praxis" Sue Spaid, Village Voice, April 27, 1999.
"Conceptual Art: Over and Yet Everywhere" Roberta Smith, The New York Times, Arts and Leisure Section p. 1, April 25, 1999.
"Critics Pick; Alternative, Alternative" Time Out April 2April 9, 1999.
"Critics Pick; Conceptual Art as a Neurobiological Praxis" Time Out March 25 April1,1999.
"Hand Writing: A Discussion; Meena Alexander and Warren Neidich" New York
Arts February 1999.
"Camp O.J." Calvin Reid, Very Magazine No. 5, 1999.
"Bi-coastal Studio Visits: Focusing on Photography" Laurie Firstenberg, NewYork Arts No. 28, 1999.

1998
"Recognition: Steffany Martz Gallery" Peter Rostovsky, Zingmagazine No. 224, December
1998.
"On the Road Again" Jack Kerouac, Photographs by Warren Neidich, The New Yorker June 2229, 1998.
"Art Feature" Edith Newhall, New York Magazine April 28, 1998.
"Warren Neidich at Steffany Martz" Cathy Lebowitz, Art in America April1998.

1997
"In the Flow at Franklin Furnace" Nancy Princethal, Art in America No. 10, October 1997.
"Notions of the Nineteenth Century"Meg Linton, Huntington Beach Art Center(catalogue), 1997.
"Oxford History of Art, The Photograph" Graham Clark, Oxford University Press Oxford, England, 1997.
"Making It Real" Luc Sante and Vik Muniz, Independent Curators International (catalogue), New York, 1997.
"Mythical America: Warren Neidich Retraces Jack Kerouac's Footsteps" David Britton, Creative Camera Issue No. 343, December/January 1997.

1996
"Ports of Entry, William S. Burroughs and the Arts" Robert Sobieszek, Los Angeles
Museum of Art (catalogue), 1996.
"Photography after Photography: Memory and Representation in the Digital Age" Hubertus von Amelunxen, Grand Barts 1996.
"Photography after Photography" Frieze Review p. 69, May 1996.
"Warren Neidich, Pollock Holding a Crow with Alchemy" Robert Mahoney,TimeOut Art, Issue 44, 1996.
"Art Choices" Kim Levin, Village Voice July 916, 1996.
"Art Short List; Sweat" Kim Levin, Village Voice p. 9, July 16, 1996.

1994
"Cultural Residue: Contamination and Decontamination" Philip Pocock, Villa Arson Nice,
France, 1994.
"Slight of Hand" Susan Kandel, Los Angeles Times June 9, 1994.

1993
"Unknown Artist" essay by Bodjana Pedjick, Fricke & Schmid 1993.
"Unknown Artist" Kunstforum No. 124, December 1993.
"Wink mit dem Zaunpfahl" Ulrich Clewing, Zitty October 1993.
"Wieder aus der Natur Schoepfen" Harald Fricke, Die Tageszeitung June 1993.
"Richtige Form, Richtige Farbe, im Richtigen Movement" Harald Fricke, Die
Tageszeitung June, 1993.
"Schmauch...Schrie...das Protokoll" Gisela Sonnenburg, Naives Deutschland June 1993.
"Best Bets Art" Kim Levin, The Village Voice February 1993.

1992
"Bets Art" Kim Levin, The Village Voice April 1992.
1991 "Historical Intervention" David Joslet, M.I.T. List Center (catalogue), Cambridge,
Massachusetts, 1991.
"Let's Do the Bottle of Chicamagua All Over Again" Marianne Vermeejden, NRC
Handelsblatt July 12, 1991.

1990
"A-historical Williamsburg" Peter Kloehn, Artscribe Magazine No.80, March/April 1990.

1989 "American History Reinvented" editor Steve Dietz, photographs by Warren Neidich, essays
by Linda Day, Reinhold Misselbeck, Christopher Philips, Lew Thomas and John Welchmann, Aperture 1989.
"Photography of Invention"Joshua Smith, Smithsonian Museum Press Washington DC, 1989.
"The Real America" Vicki Goldberg, American Photographer, December, 1989.
"Spring Preview" New York Magazine September 12, 1989.
"Party on Julia Street" Roger Green, Art News No. 6, Summer 1989.
"Best Bets Photography" Vince Alleti, The Village Voice August 1989.
"American History Reinvented" Altamon Baker, Zoom No. 155, June 1989.
"Best Bets Photography" Vince Alleti, The Village Voice May 1989.
"Of Baudrillard, Lies and Women" Carrington Calas, Art Review May/June
1989.
"Turning Japonese" John Welchman, Artforum No. 27, April 1989.

Formation /Education

Washington University St. Louis, Missouri, B.A., Psychology and Biology,Magna Cum Laude.
Research Fellow Neurobiology Laboratory of Roger Sperry, California Institute of Technology. Pasadena, California.
New York Medical College, Special Three Year Program, New York, New York.

Curatorial Projects

"Conceptual Art as a Neurobiologic Praxis" Thread Waxing Space New York, New York, 1999. Artists: Ricci Albenda, Thomas Ruff, Beom. Kim, Christopher Sperendio, Mathew Ritchie, Andrea Robbins, Liam Gillick, Douglas Gordon, Uta Barth, Spencer Finch, T. Kelly Mason, Carl Fudge, Charlene Von Heyl, Jason Rhoades, Jack Pierson, Ann Lislegaard, Jonathan Horowitz, Rainer Ganahl, Eric Duyckaerts, Sam Durant.

Expérience professionnelle / Professional Experience

Editor and chief, artbrain.org #2, Basel Art Fair, Basel, Switzerland.
Session Chair, "Constructing the Mutated Observer, an Interdisciplinary View", CAA Statements 2003
Editor and chief of {artbrain.org} launch date, May 31, 2001, WHITE BOX
New York, New York.
Guest Lecturer,"Vision and the Visionary: Art and Perception in the work of Warren Neidich", panel discussion moderated by Stephen Marguiles with Johanna R. Drucker and Michael Kubovy, Bayle Art Museum of Art Charlottesville,Virginia, 2000.
Guest Lecturer,"Visual Ergonomics" College Art Association New York, New York, 2000.
Symposium Organizer ³Can Art Investigate the Brain² Participants: Mathew Ritchie, Frank Gillette, Sue Spaide, Natalie Jeremenko, Thread Waxing Space New York, New York, 1999.
Guest Lecturer, Graduate Center of City College Department of Literary Criticism, New York, New York, 1998.
Guest Lecturer, University of Virginia Department of Art, Charlottesville,Virginia, 1998.
Instructor,"Conceptual Issues in Photography" School of Visual Arts NewYork, New York, 19891990.
Guest Lecturer, Society for Photographic Education Santa Fe New Mexico,1991.
Guest Lecturer, San Francisco Camera Work San Francisco, California, 1991.
Visiting Artist, Art Center College for Art and Design Pasadena, California, 1991.
Visiting Artist, University of California, Santa Barbara Santa Barbara, California. 1989.

Prix et récompenses / Awards and Honors

7-degrees, Laguna Beach, California, 2002
Santa Fe Art Institute Santa Fe, New Mexico, 2000.
MacDowell Foundation Petersborough, New Hampshire, 1998.
Vermont Studio Center Johnson, Vermont, 1997.
Villa Arson Nice, France, 19941995.
Hotel Chelsea Cologne, Germany, 1994.
Bethanian Kunstlerhaus Berlin, Germany, 19931994.